The label shows a map of the Cape Canaveral area, including Kennedy Space Center.
Vest Front
I did take some artistic license with the Space Shuttle, but attempted to represent the orbiter Discovery, the huge rust-colored external tank, and a segmented white solid rocket booster.  External tank grooves and ridges were modeled with double-needle pintucks.  The woodpeckers are done with a rubber stamp and acrylic paint.  Clouds were scrunched from rows of gray fabrics.  Curling vapors are machine quilted against the sky.  The edge snaps were mail-ordered from Clotilde.  On the left front, another woodpecker surveys a circuit board from his perch atop an Inertial Measurement Unit near some gyroscope components.  These were transferred to fabric using heat transfer paper for Ink Jet Printers from Dharma Trading.  More double-needle pintucks on the edge of the table.  You can see a lightning storm through the window.
Japanese Vest Front (11k)

Vest Back

The whole piece started from this burst of lightning, first conceived on a design wall during Joan Colvin's class.  White zigzag bolts are machine embroidery.  The water flowed out of a challenge from a friend to try crinkling with pieced fabric.  For the piecing, I used strips (most with angled ends) of batiks, true & faux hand-dyes, and a fish print.  To crinkle, soak fabric in water for 15 minutes, twist tightly, secure with rubber bands, dry in the dryer for 4 hours or in air for a week, gently flatten, then apply fusible interfacing to the back to hold the wrinkles in place.  Attached to foundation with wavy rows of variegated metallic teal thread.
Japanese Vest back (13k)


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