Chamber Music from Six Centuries
~ Renaissance through the Present • Always Period Instruments ~

2008-2009

$15 suggested donation/free will offering.
Youth 18 and under are encouraged to attend for free.
information: (800) 281-8026
    •    mailing list: concertspirituel@aol.com

 

MAY 1-4, 2009 • Empfindsamkeit: Clavichord and Flute

Owen Daly ~ clavichord

Jeffrey Cohan ~ baroque flute

~ Friday, May 1, 2009 at 8:00 PM: Conway — Fir-Conway Lutheran Church at 18101 Fir Island Road • (360) 445-5396

~ Saturday afternoon, May 2, 2009 at 3:00 PM: Seattle — Christ Episcopal Church at 4548 Brooklyn Avenue NE in the University District

~ Sunday evening, May 3, 2009 at 7:30 PM: Vashon Island — Vashon United Methodist Church at 17928 Vashon Highway SW • (206) 463-9804

~ Monday, May 4, 2009 at 7:30 PM: Bellingham — St. Paul’s Episcopal Church, 2117 Walnut St. • (360) 733-2890

Empfindsamkeit is a mid-18th century guiding principle prescribing the most delicate, sensitive use of musical color which was highly espoused by Carl Philipp Emanuel Bach, who happened to be one of Beethoven’s favorite composers. The program will feature music by Carl Philipp Emanuel Bach, Johann Gottfried Müthel, Johann Joachim Quantz and František Benda. The clavichord is wonderfully soft and was often used as a practice instrument by organists and other 18th-century keyboard players. However it was highly esteemed for its expressive potential as, unlike the harpsichord and the organ, it was capable of both vibrato and a wide range of dynamics, in accordance with the amount of pressure applied to the keys.

suggested donation $15 (a free will offering towards expenses)

~ Youth 18 and under are encouraged to come for free ~

(800) 281-8026 for further info.

A TELEMANN CANTATA FOR DECEMBER 14

YULETIDE BAROQUE, a Christmas Concert with special guest soprano Linda Tsatsanis, flutist Jeffrey Cohan and harpsichordist George Shangrow will be presented as the first of seven performances (see below) on Sunday afternoon, December 14, 2008 at 2 PM at Blessed Sacrament Church at 5041 – 9th Avenue NE in the University District.

The Brightness of This Clear Day (Vor des lichten Tages Schein), a mini-cantata which Telemann wrote for this very day, the second Sunday before Christmas, will be performed along with Telemann’s cantata Was gleicht dem Adel wahrer Christen for the Sunday following Christmas, baroque Noels arranged by J.S. Bach, Dandrieu and Corrette, variations on a German carol by French composer Michel Corrette, and anonymous 18th-century variations on What Child is This, alias Greensleeves. The program is certain to generate an abundance of Christmas cheer!

• UPCOMING! All performances at Christ Episcopal Church at 4548 Brooklyn Avenue in the University District (except January 25 at the Chapel of St. Ignatius), with repeat performances around the Northwest.

 ~ January 2 at 7:30 PM: Chamber Music 1800 will feature works by Haydn and other composers from the decades around 1800, including unpublished works from the Library of Congress and the Danish National Library, with cellist Martin Bonham (Victoria, BC), Stephen Creswell (Seattle) on violin and viola and flutist Jeffrey Cohan performing on the 8-keyed flute of the period.

 ~ January 25 at St. Ignatius Chapel at Seattle University: The French Connection will feature the world premiere of Tombeau de Rameau, Joel Durand’s trio for flute, viola and harp, along with arrangements for flute, viola and harp of the excerpts from Jean Philippe Rameau’s Pièces de Clavecin en Concert upon which the Tombeau de Rameau is based, other works by Durand for solo flute and solo piano and music by Frenchman Henri Dutilleux and American Joan Tower, with harpist Valerie Muzzolini, violist Melia Watras, flutist Jeffrey Cohan and pianist Cristina Valdes. This concert is supported in part by Seattle University and by a grant from 4Culture.

 ~ February 21 at 7:30 PM: The complete Telemann Fantasies for solo one-keyed baroque flute with Jeffrey Cohan.

 ~ March 21 at 7:30 PM: A J.S. Bach Birthday Bash will feature German harpsichordist Hans-Jürgen Schnoor and German soprano Maike Albrecht, both from Lübeck, in a performance of Bach cantatas No. 209 “Non sa che sia dolore”, and 82a “Ich habe genug” along with harpsichord and flute concerti with baroque orchestra.

 ~ April 24 at 7:30 PM: The New Sans Souci, with flutist Jeffrey Cohan, harpsichordist George Shangrow, violinist Ronald Patterson, violist Roxanna Patterson and others, will feature the world premieres of Robert Kechley’s Circus Show and Huntley Beyer’s The Happy Table, both for solo flute, violin and harpsichord with strings (as in Bach’s Brandenburg Concerto No. 5), along with Dance Suite by Slovene composer Črt Sojar Voglar, who will be present for the world premiere with soloist Jeffrey Cohan and Philharmonia Northwest of his Flute Concerto on April 26 at St. Stephen’s Episcopal Church. Sojar Voglar and Seattle composers Beyer and Kechley will be available for a post-concert discussion of their works.

 ~ Saturday afternoon, May 2 at 3 PM: The mid-18th century's most delicate and sensitive use of musical color will be the focus of this program featuring the clavichord and entitled Empfindsamkeit, with music by Carl Philipp Emanuel Bach, Johann Gottfried Müthel and others with clavichordist Owen Daly (Salem, Oregon) and baroque flutist Jeffrey Cohan.

 

JACOB VAN EYCK in the ROSE GARDEN


~ Spring 2009 dates to be announced ~
In the Rose Garden at the Woodland Park Zoo
(by the south entrance to the Zoo)
Jeffrey Cohan performs Variations by
Jacob Van Eyck (1589-1657)
on Favorite Melodies of the early 17th Century
for Solo Renaissance Descant Transverse Flute
 

In these free twilight performances in one of Seattle's most glorious settings, Jeffrey Cohan performs variations on songs by Giulio Caccini and John Dowland, Christmas carols and Psalm tunes by Jacob van Eyck, performed on a copy of a descant renaissance flute similar to one which he may have played.

In addition to broadcasting melody throughout the city from the bell towers of Utrect, the blind carillonneur played his transverse flute and recorder at ground level in the public gardens and church yard at St. Johns Church for ten years before the city raised  Jacob van Eyck's salary to compensate him for these public serenades on a  more intimate level, as the residents had become so enamored with his improvised virtuoso embellishments on favorite tunes of his day of all sorts. 143 of his largely improvised variations on favorite melodies from Holland and abroad were published in "Der Fluyten Lust-hof" ("The Flutist's Pleasure-Garden") in the 1640s.


From 1725 until 1790, the Concert Spirituel in Paris offered outstanding sacred, orchestral and chamber music performances presented by the leading instrumentalists and composers of Europe, often featuring the most innovative new music of the day. Since the early 1980s Concert Spirituel performances in Seattle and Chicago have featured harpsichordists Elisabeth Wright, Hans-Jürgen Schnoor (Germany), David Schrader and John Whitelaw (Belgium), violinists Stanley Ritchie, Ingrid Matthews and Jörg Michael Schwarz, lutenist Stephen Stubbs, gambists Susan Napper and Mary Springfels and baroque cellist Elaine Scott Banks.


To be included on the mailing list and for further information regarding future Concert Spirituel performances, please contact us:

concertspirituel@aol.com
(800) 281-8026.

~ Concert Spirituel is grateful to Seattle Community Network for their support ~
Seattle Community Network - SCN Arts Menu
Last update April 2008