Albert Flynn DeSilver
Albert Flynn DeSilver runs The Owl Press (www.theowlpress.com), sending along some recent prose poems from the published "TOOTH & CLOUD". with recent work Exquisite Corpse, Web del Sol, New American Writing, ZYZZYVA, Hanging Loose, and many others. He can be reached at asisowl@mindspring.com.
AMERICAN BAGGIE
A plastic grocery bag does an elegant dance against a brick wall back
drop. A teenage boy gazes into its movements mesmerized by the crinkled
pirouettes, its undulating sweeps, its flesh-like painterly tremblings.
Up it swirls into a cadence of stars only to fall abruptly through
absent breath around the boy’s head. The wind cinches the bag’s handles
in a knot around his neck. The boy’s head bloats and turns dark purple
behind the ragged visage of the bag. The boy is now floating up against
a brick wall backdrop in an elegant dance, in crinkled pirouettes, in
undulating sweeps of flesh-like painterly tremblings.
THE FOGGY SCALP
Out to sea this evening I watch the horizon line buckle and snap under
the weight of the setting sun. Two distinct green sticks collapse
inward towards each other pulling in the drowning sea. Only to be
replaced by a single sky made of matted hair and skin cells in octagonal
patches. This sure baffles the captain and his deck hands who have run
aground in the great scalp with the wrong tool for the job. Now during
those long crossings they just sit around scratching themselves, staring
into the foggy scalp
ONE THUMB BOOK
I am building a little book for my thumb, where I will shovel lint from
the street’s navel and juice lullabies from the treetops. It is a book
of elastic steel married to song. An opposable piano picked up in
Mozambique. Each page a print, a maze of jagged feet clamoring up the
stairwell of your spine. This a gnarled tornado as opposed to a combed
one. This a hairy coin of sorts, the flipping of which is the fondling
of crude feathers, where we memorialize the world record holder in the
pole vault.
WALKING THE DOG
I’m off to walk the dog this morning, when I notice my hat’s on fire. I
run upwards trying to flag down a saturated cloud. No luck, the fire
spreads into my scalp and head starting a smoldering root fire in my
cranium. I think, "wow, like, accelerated honey shed from the core of
the sun". No matter, the dog must be walked. "No fire as mad as the
unwalked dog" I yap into the flames, flesh bubbling up popping off
bone. Soon enough I am walking an ashen self on an ashen leash, the
neighbors asking ashen questions, the dog barking forth some ashen
answers.
HEAVEN HAS LAYERS
Some mysterious surgeons with silent hands showed up at the factory one
day. I blacked out with fear being held in some chasm of water turned
to fire. There were murmurings of invisible animals I questioned, and
then laughter rang out from the lava swamp. What can I say of the
factory basement, the less-than-beautiful sight of me coming to, in
flames. Rising up through the office, past shipping & handling, the
public area, reception, all less pretty than the previous layers. I
rise, the surgeons follow, chasing me with clacking scalpels and hoods
of dark gauze— through all the layers I hated to work. And so I had
stolen an umbrella, to catch a warm updraft, rising toward the ceiling
like an unpeeled scar, into the umbrella shaped skylight, and out of the
grasp of the crimson surgeon’s hands.
Albert Flynn DeSilver